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Power & Possibility 
Essays, Reviews, and Interviews
by Elizabeth Alexander

Uncommon perspectives on American poetry, arts, and culture by one of today's leading poets and critics.

A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetrics of a new generation.

Elizabeth Alexander is considered one of the country's most gifted contemporary poets, and the publication of her essays in The Black Interior in 2004 established her as an astute critic and cultural commentator as well. Arnold Rampersad has called Alexander "one of the brightest stars in our literary sky . . . a superb, invaluable commentator on the American scene." In this new collection of her essays, reviews, and interviews, Alexander again focuses on African American artistic production, particularly poetry, and the cultural contexts in which it is created and experienced.

Gathering Ground 
A Reader Celebrating Cave Canem's First Decade
edited by Toi Derricotte and Cornelius Eady

A collection from the first ten years of Cave Canem, including work by many leading faculty and the winners of the annual Cave Canem first-book prize.

Cave Canem has for the past ten years dedicated itself to the discovery and cultivation of new voices in African American poetry. Founded in 1996 by prizewinning poets Toi Derricotte and Cornelius Eady, Cave Canem began as a weeklong summer workshop/retreat and has now expanded to include regional workshops, poetry readings, a series of public conversations between major poets and emerging younger poets, and an annual first-book prize.

To mark the first decade of this pathbreaking project, Gathering Ground presents more than one hundred poems by Cave Canem participants and faculty. It embraces an impressive and eclectic gathering of forms, including sonnets, a bop (a new form created by a Cave Canem faculty member), blues, sestinas, prose poems, centos, free verse, and more. The roster of distinguished contributors includes Lucille Clifton, Yusef Komunyakaa, Marilyn Nelson, Sonya Sanchez, Al Young, and many others.

For newcomers and aficionados alike, Gathering Ground assembles in one place the most innovative voices in contemporary African American poetry and boldly attests to the important position it holds in verse-making today.

 

INAUGURATION 2009 

Turn away from nothing. Face the sun.
Evolve at any cost.
From 10. Unfinished Tribute to Gwendolyn Brooks, Power & Possibility

Celebrating Elizabeth Alexander

Elizabeth Alexander Inaugural Poem

Alexander, photo creditAcclaimed poet and University of Michigan Press author Elizabeth Alexander on January 20th became one of just four poets in the history of this country to have their poems included in a presidential inauguration. She read a new poem at the ceremony swearing in President-elect Barack Obama, and we here at the UM Press could not be more proud. Congratulations, Professor!

From Phil Pochoda, Director of the University of Michigan Press:

The University of Michigan Press is immensely proud that the incoming President of the United States, Barack Obama, has chosen Elizabeth Alexander, author of and contributor to two books that we publish, for the honor of reading an original poem at his inauguration. Though her exceptional talent and insight have long been obvious to us, we are gratified that Professor Alexander has been singled out in this historic manner.

We want to salute Greywolf Press, which has been Professor Alexander's primary poetry publisher. But her involvement with the University of Michigan Press stems from two long-standing publishing efforts of which this Press is also very proud. Professor Alexander's imaginative and passionate book of essays on poets, politics and poetry, entitled Power & Possibility, was published in our legendary Poets on Poetry Series, now some 31 years old with 95 books to its credit, dedicated to the critical essays of many of the major poets of the United States through this period. This press has also been one of the leading publishers in recent years of works of and about the writers associated with the Black Arts movement of the 1960's and 70's. When the Cave Canem group, formed in the 1990's to foster the work of African American poets, was searching for a publisher for its 10th anniversary poetry anthology, Gathering Ground, for which Professor Alexander contributed both a poem and an introduction, we were, therefore, a natural fit. We feel fortunate and privileged to have published Elizabeth Alexander in these two distinguished venues.

more infoBrowse here for more information on the poet, others' thoughts on her work, a sample of her essays and special promotional prices on her book of essays, Power & Possibility, as well as an earlier compilation of poetry, Gathering Ground, in which she has both a poem and an introduction.


About Elizabeth Alexander 

Alexander, photo creditElizabeth Alexander was born in Harlem, New York City, and grew up in Washington, DC. She received a B.A. from Yale University, an M.A. from Boston University (where she studied with acclaimed West Indies poet Derek Walcott), and the Ph.D. in English from the University of Pennsylvania. Alexander has read her poetry and lectured on African-American literature and culture across the country and abroad.

She has published four books of poems, The Venus Hottentot (1990), Body of Life (1996), Antebellum Dream Book (2001) and, most recently, American Sublime (2005), which was one of three finalists for the Pulitzer Prize. American Sublime was chosen to be one of the 25 Notable Books of 2005 by the American Library Association, which called it "sparkling with humanity and unexpected grace." Her collection of essays, The Black Interior, was published in 2004.

In 2006, she contributed a poem and an introduction to Gathering Ground, the University of Michigan Press compilation of 10 years of work from the acclaimed Cave Canem Foundation for African-American poets, where she serves as a faculty member. In 2007, UM Press published Power & Possibility as part of its Poets on Poetry series. The book is Alexander's collection of her essays, reviews and interviews that study and comment on American literature and culture.

Her short stories and critical prose have been widely published in such periodicals and journals as Signs, The Paris Review, American Poetry Review, The Kenyon Review, The Village Voice, The Women's Review of Books, and The Washington Post. Her poems are anthologized in dozens of collections.

Her awards include a National Endowment for the Arts Fellowship, two Pushcart Prizes, the Quantrell Award for Excellence in Undergraduate Teaching at the University of Chicago, the George Kent Award, given by Gwendolyn Brooks, and a Guggenheim fellowship. In 2007 Alexander won the first annual $50,000 Jackson Prize for Poetry, which honors an American poet of exceptional talent who has published at least one book of recognized literary merit. She is an inaugural recipient of the Alphonse Fletcher, Sr. Fellowship for work that "contributes to improving race relations in American society and furthers the broad social goals of the U.S. Supreme Court's Brown v. Board of Education decision of 1954."

Alexander's play, "Diva Studies," was produced at the Yale School of Drama in May 1996, and she was a dramaturge for Anna Deavere Smith's play "Twilight" in its original production at the Mark Taper Forum.

She has taught at Haverford College, the University of Chicago, New York University, and Smith College, where she was Grace Hazard Conkling Poet-in-Residence and first director of the Poetry Center at Smith College. She spent a year as a fellow of the Radcliffe Institute at Harvard University. She is presently Professor of African-American Studies and English Literature at Yale University.

Prof. Alexander herself had this to say:

"I'm completely thrilled to have been chosen for this honor," she said in a Yale University interview. "Barack Obama is a man who understands the power and integrity of language. To be asked to turn my own words to this occasion and for this person is all but overwhelming."

"President-elect Obama has put poetry front and center, only the fourth time that this has happened at an inauguration," she told the Wall Street Journal. "It says culture matters, that it's transforming and not merely stirring, that it's fundamental to ways in which we can think about moving forward...

"Poetry, because it is language distilled and because it is also such intensely precise language, provides us with a moment of respite and meditation, moments where we have to stop and listen very carefully to every word."


What others have to say about Elizabeth Alexander 

"President-Elect Obama has made a wise choice in Elizabeth Alexander, a poet of exceptional eloquence, depth, and grace. In the tradition of James Baldwin, Susan Sontag, and Toni Morrison, she is equally adept as literary writer, social observer, and cultural critic. Her inaugural poem will no doubt inspire our nation in this troubled and extraordinary time."
—Maurice Berger, Senior Research Scholar, Center for Art, Design and Visual Culture, University of Maryland Baltimore County
"Elizabeth Alexander's verse sings the plight and the power of those who struggle to survive. The smallest details of daily life, the resounding echoes of epochs, find their voices in her work. Alexander has woken us to a dream of deliverance that we share with language and music..."
—Homi K. Bhabha, Harvard University
"Elizabeth Alexander is one of the brightest stars in our literary sky, a poet of poise and power. Her sharp intelligence and her knowledge of the contemporary arts make her a superb, invaluable commentator on the American scene...With her considerable poetic skills and her complex vision of American history and culture, Elizabeth Alexander is an inspired choice to play such a prominent role in the presidential inauguration."
—Arnold Rampersad, Stanford University

Read some of Alexander's work 

Power and Possibility






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Power & Possibility
Essays, Reviews, and Interviews
by Elizabeth Alexander

Elizabeth Alexander has written on the topic of poetry and politics before, including her essay "Black Alive and Looking Straight At You: The Legacy of June Jordan," which appeared in Power & Possibility. Read an excerpt here.





Gathering Ground






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Gathering Ground
A Reader Celebrating Cave Canem's First Decade
edited by Toi Derricotte and Cornelius Eady

Introduction by Elizabeth Alexander:

What has always been vital to me about the space that Cave Canem makes is that I believe we have truly made room for widely divergent spokes of black aesthetics, poetics, and identity. We live, as Lucille Clifton has said, not in "either/or" but in "and/but." You can see that in the poems collected for this anthology. I always say—occasionally with astonishment—that the Cave Canem community has managed to make a "safe space" for all of us. To invoke Audre Lorde's theories (and imagine Audre Lorde as a teacher at Cave Canem, as I'm sure she would have been had she lived longer!), the space made for the apparent differences among us makes space for the differences within us, each of us, as we move through the journeys of our lives and our works. That which Cave Canem has affirmed allows this anthology to fairly represent (represent!) all the mighty multivocality of black poetry in the new millennium.

I think of this big book as evidence—no, as manifestation—of this full and glorious moment in African American poetry. This is the state of the art, and it is sound and robust. These poems range so widely in their subject matter and poetic approach that they remind me of what I am proudest of in Cave Canem: that we have managed to encourage and nurture the voice distinct and that the work does not succumb to received or invented doctrine. The faculty poems in this book set us up to understand that we are coming from many different places and that our community has always been multilingual, variously political, multi- and vari- and distinct as we commune under the metaphysical canopy that is blackness.

We have done something important that will last.

Por fin, I repeat the words of Mendi Obadike's poem (which is itself explicitly, stylistically multivocal): "I feel completely drained. The desire to know more." I would add, to describe my own condition: the desire (and yes, it is desire) to feel more and hear more from these poets who together make this a necessary community, not just Cave Canem with a line drawn around it but rather the wild wooly (yes!) universe of contemporary black poetry. This anthology thrills me, makes me say Yes! Teach! Word! Preach! And once again, YES.

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Press inquiries regarding Power & Possibility and Gathering Ground can be directed to Heather Newman, Trade Marketing Manager, 734-615-6477, newmanh@umich.edu.



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