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Michigan Literary Fiction Awards Winners2008 Winner: Liza WielandJudged by Peter Ho Davies
Of the book, Peter Ho Davies writes, "Conjuring the entwined lives of teachers and students in two schools (and two generations) on either side of the Atlantic, A Watch of Nightingales stands alongside The Prime of Miss Jean Brodie and Goodbye, Mr Chips as a testament to the responsibilities, rewards, and risks of teaching. This is a book of luminous insight and quiet but telling wisdom, about youth and maturity and the bridge of loss and remorse that connects them. Liza Wieland's is a mature and deeply moving vision, conveyed in prose that sings as sure and clear as the birds of her title." 2007 Winners: Wendy Rawlings and Elaine FordJudged by Michael Byers and Laura Kasischke
Michael Byers writes: "Full of drama large and small, packed to the rafters with intelligent observation, and memorably thoughtful, The Agnostics is a consistent pleasure. Funny, lively, knowing and generous, Rawlings moves effortlessly from the minute negotiations of family existence to the big, often neglected questions that haunt and enrich our lives from beginning to end."
"Elaine Ford's The American Wife roams the territory between the intellect and the heart," writes Laura Kasischke. "She writes of the human condition with precision, in language that is both grave and conversational. Her characters step out of the real world onto the page, where she develops them quietly, but with compassionate fullness. This writer grips the reader with her keen knowledge of the psyche of individuals—their motives and secrets—and also with the surprising things that happen to them." 2006 Winners: Jean McGarry and Joan FrankJudged by Laura Kasischke and Eileen Pollack
Eileen Pollack calls A Bad and Stupid Girl "a jewel of a novel, every facet perfectly placed and shining. Jean McGarry's exquisite prose leaves one breathless with admiration, and her creations remain in the reader's mind like college roommates one loved and now misses and longs to see again." "A gemlike portrait," writes Laura Kasischke, "A Bad and Stupid Girl takes us on a journey of epic proportions into the psyches of two young women who are both creatures of their time and heartbreakingly familiar. The novel is funny, and moving, and revelatory. It traces the evolution of an unready adulthood with unsentimental accuracy. A graceful work, full of triumph and surprise."
Laura Kasischke writes, "Miss Kansas City is both a marvelously satisfying story of friendship and love, and a braided exploration of relationships in our time and place. With precision, wit, and compassion, Joan Frank has provided us with an odyssey into the heart—a gorgeous meditation on what it is to be in love, and alone. The writing is clear, and the vision reflected in that clarity is both luminous and honest." Eileen Pollack calls Miss Kansas City "an utterly convincing portrait of a world at once specific to its time and place, and yet also universal. Both heartbreaking and redeeming." 2005 Winner: R.M. KinderJudged by Laura Kasischke and Eileen Pollack
Eileen Pollack writes, "In the small, rural town of Buxton, acts of evil and compassion are twined so closely as to be nearly indivisible, and recognizably human characters are presented in such a way that they radiate light, yet also cast recognizably human shadows. One woman tries to convince her friends that she's seen a fat, black snake, which she hasn't, while another woman tries to convince her relatives that she's seen a mother bat with two babies clutched beneath her wings crawl up out of the ground, which she has. In such a way, the stories in this quietly powerful collection explore the seen and unseen world in which we all live. I read A Near-Perfect Gift from start to end without stopping, and, when I finished, found myself sitting in my darkened office, infused with an unexpected sense of peace." Laura Kasischke writes, "A Near-Perfect Gift distinguishes itself from the average book of short-stories by its uncanniness. In these stories, familiar characters in commonplace settings are revealed to be more mysterious and unnerving in their plainness than any science fiction alien or horror fiction monster could be—but also fully human, recognizably *us*. Kinder writes with the x-ray vision of a Sherwood Anderson, and with the insight of a Freudian analyst, an interpreter of dreams, in language that could be as well suited to the traditional folktale or the hometown newspaper as to poetry of the French surrealists. Here is a collection of short fiction for our times: a mirror held up to the homely details, reflecting back to us the wild insides." 2004 Winners: T.M. McNally and W.D. WetherellJudged by Nicholas Delbanco and Eileen Pollack
Nicholas Delbanco writes, "The eleven short stories of Quick, taken separately and together, are an achievement of real substance and high style. Whether told in the first or third person, present or past tense, these stories signal artistry and a fresh yet seasoned talent. Such single-word titles as 'Insomnia' and 'Recovery' fail to conceal the 'Radical' expansiveness of the narrative singularities at hand; Mr. McNally offers both a 'Quick' read and a measured overview of our place and time."
Eileen Pollack writes, "A Century of November is an elegant, moving, and utterly convincing account of a father's attempt to understand the death of his only son in the trenches of Belgium during the very last days of World War I. In a strangely timeless and hypnotic narrative reminiscent of the best poetry of Wilfred Owen or Rupert Brooke or Timothy Findley's haunting novel The Wars, the author evokes the unvoiced grief and rage of a man who has recently lost his wife to the Spanish Influenza and his son to a battle in a town whose name he can't pronounce. Impulsively boarding a ferry, then a train, then a steamship, Charles Marden travels from his farm in Vancouver to the killing fields of Europe. Following the shadow of the first and only woman his son ever loved, Marden stumbles across a chaotic landscape so recently drenched by blood and poison gas that the truth seems not only difficult to ascertain, but ultimately unknowable and irrelevant." 2003 Winners: Sheila O'Connor and Maura StantonJudged by Charles Baxter and Nicholas Delbanco
Nicholas Delbanco praises Where No Gods Came for "accomplish[ing] that difficult thing: it's a coherent story about incoherence, a shapely one about the lures of shapelessness. The various voices ring true. Ms. O'Connor writes of family and love and loss and youth at risk and hard-earned pleasure; she does so with a noticing eye and tone-perfect ear. Her sense of the landscape here described-both actual and metaphorical-is keen, and her language self-assured. This is a fine, fierce book." Additional congratulations to Sheila O'Connor: Where No Gods Came has won a Barnes & Noble Discover Great New Writers Award.
Of Maura Stanton's Cities in the Sea, Charles Baxter writes, it "has a cool and calm vision of catastrophe and of its persistence in our lives, and it combines this vision with a feeling for the survival of past trauma within the present. All her characters have interesting histories, and her stories are linked by an unsentimental view of storm-tossed, volcano-ridden ordinary existence, the calamities of everyday life. The stories are therefore both dark and buoyant, clear-sighted and oddly bracing, lyrical and obliquely comic. This is a fine book whose balance and tact I admired enormously." |
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In the novel category, our winner is
In the novel category, our winner is 