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<title>Theater and Performance: New Titles</title>
<link>http://www.press.umich.edu/rss/newTheater.xml</link>
<description>New Theater and Performance Books</description>
<language>en-us</language>
<webMaster>ump.webmaster@umich.edu</webMaster>

<item>
<title>The President Electric: Ronald Reagan and the Politics of Performance | by Timothy Raphael
 </title>
<link>http://www.press.umich.edu/titleDetailDesc.do?id=331702</link>
<description>How Reagan's immersion in an electronic media culture of performance shaped his political career</description>
</item>



<item>
<title>Changing the Subject: Marvin Carlson and Theatre Studies 1959-2009 | Edited and with an Introduction by Joseph Roach</title>
<link>http://www.press.umich.edu/titleDetailDesc.do?id=364059</link>
<description>Leading theater scholars on the major developments in their field over the past 50 years.</description>
</item>



<item>
<title>Performing Conquest: Five Centuries of Theater, History, and Identity in Tlaxcala, Mexico | by Patricia A. Ybarra</title>
<link>http://www.press.umich.edu/titleDetailDesc.do?id=316831</link>
<description>An unprecedented reading of Mexican history through the lens of performance.</description>
</item>



<item>
<title>The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America | by Susan B. A. Somers-Willett</title>
<link>http://www.press.umich.edu/titleDetailDesc.do?id=322627</link>
<description>How do slam poets and their audiences reflect the politics of difference?</description>
</item>



<item>
<title>Highbrow/Lowdown : Theater, Jazz, and the Making of the New Middle Class | by David Savran </title>
<link>http://www.press.umich.edu/titleDetailDesc.do?id=338819</link>
<description>The culture clash that permanently changed American theater.</description>
</item>



<item>
<title>Reflections on Beckett: A Centenary Celebration | Anna McMullan and S. E. Wilmer, Editors</title>
<link>http://www.press.umich.edu/titleDetailDesc.do?id=304324</link>
<description>Renowned international scholars offer perspectives on one of the world's most challenging playwrights.</description>
</item>



<item>
<title>Ethnic Drag: Performing Race, Nation, Sexuality in West Germany | by Katrin Sieg</title>
<link>http://www.press.umich.edu/titleDetailDesc.do?id=17012</link>
<description>An exploration of the West German attempt to repress and refashion concepts of "race" after the Holocaust.</description>
</item>




<item>
<title>Stone Tower: The Political Theater of Arthur Miller | by Jeffrey D. Mason</title>

<link>http://www.press.umich.edu/titleDetailDesc.do?id=309730</link>
<description>A revealing look at Arthur Miller's political sensibilities as evidenced in his dramatic works and other writings.</description>
</item>




<item>
<title>Stages of Conflict: A Critical Anthology of Latin American Theater and Performance | edited by Diana Taylor and Sarah J. Townsend</title>

<link>http://www.press.umich.edu/titleDetailDesc.do?id=230876</link>
<description>This fascinating anthology reveals the rich performance history of Latin America from  the sixteenth century to the present.</description>
</item>




<item>
<title>Suzan-Lori Parks | by Deborah R. Geis</title>

<link>http://www.press.umich.edu/titleDetailDesc.do?id=187338</link>
<description>An accessible guide to the inventive language and experimental stagings of playwright Suzan-Lori Parks
.</description>
</item>




<item>
<title>Avant-Garde Performance and the Limits of Criticism:
Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement | by Mike Sell</title>

<link>http://www.press.umich.edu/titleDetailDesc.do?id=337666</link>
<description>Explores the dynamic interactions of performance, politics, and literary criticism in three U.S countercultures in the 1950s and 60s.</description>
</item>



<item>
<title>Concerto for the Left Hand: Disability and the Defamiliar Body | by Michael Davidson</title>
<link>http://www.press.umich.edu/titleDetailDesc.do?id=286540</link>
<description>A major new work that probes questions of disability and aesthetics across a range of  art forms, from Deaf poetry to film noir.</description>
</item>



<item>
<title>Reframing Screen Performance | by Cynthia Baron and Sharon Marie Carnicke</title>
<link>http://www.press.umich.edu/titleDetailDesc.do?id=104480</link>
<description>Challenges conventional approaches to film by advancing the simple yet revolutionary idea that acting is one of cinema's essential aspects.</description>
</item>




<item>
<title>Footpaths and Bridges: Voices from the Native American Women Playwrights Archive | edited by Shirley A. Huston-Findley and Rebecca Howard
</title>

<link>http://www.press.umich.edu/titleDetailDesc.do?id=105202</link>
<description>The first anthology to showcase the rich and diverse dramatic work of Native  American women.</description>
</item>



<item>
<title>Edward Albee | edited by Toby Zinman</title>
<link>http://www.press.umich.edu/titleDetailDesc.do?id=142871</link>
<description>A theater-lover's guide to the dramatic works of one of America's most  important living playwrights.</description>
</item>

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