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Being in Pictures

An Intimate Photo Memoir
Joanne Leonard
Foreword by Lucy R. Lippard
The first book-length collection devoted to the extraordinary work of celebrated artist Joanne Leonard

Description

Being in Pictures: An Intimate Photo Memoir interweaves the remarkable photography and collage work of artist Joanne Leonard with a warm, compelling account of an artist's life and creative processes.

Leonard's evocative and often dreamlike creations have over four decades revealed "the tensions between realism and idealization" that exist in both photography and photocollage. Beginning with her earliest work—which recorded with equal energy and devotion the 1972 Winter Olympics, her neighborhood in inner-city Oakland, a kitchen countertop, and her own family—she worked to develop a photographic genre she called "intimate documentary."

As Leonard's art evolved, she began to challenge the boundary between personal and public images, and her work turned to autobiographical and daringly intimate themes, including the end of her marriage, a devastating miscarriage, and single motherhood. Her portraits of daughter Julia from birth onward constitute one of our most extensive and expressive portrayals by any photographer of a child's journey to adulthood.

Being in Pictures also explores notions of identity and loss, as Leonard probes in word and image the meanings of being a twin, her conflicted feelings toward an emotionally distant father who escaped the Nazis, and her response to her highly accomplished mother's slow decline from Alzheimer's disease.

Leonard's work is by turns irreverent, bold, provocative, tender, wistful, poetic—and sometimes heartbreaking. The book's nearly two hundred reproductions include a wide selection of black and white photographs as well as her vivid, richly nuanced collages.

From the Foreword:

"Leonard's art is an undisputed success. Within the framework she calls 'intimate documentary,' she has proved that is possible to move from 'the smallest picture in the show' to a twenty-two-foot collage, missing very few beats in between. Along with technical challenges and discoveries, she tells a family story (made up of family stories) by braiding the lives of four generations of women—her grandmother; her mother; herself and her two sisters (one of them her twin); and her beloved daughter, whom she bore and raised as a deliberately single mother. . . . As we watch Leonard's oeuvre unfold sequentially, we can trace the images—mothers and babies, mothers and daughters, sleepers and dreamers, children and memories, the teapot and one or two teacups, loneliness and companionship. The power of these images lies not merely in personal honesty and expressive talent but in the artist's clear-eyed acknowledgment of multiple truths."
—Lucy R. Lippard

"Joanne Leonard will play an important role in the history of twentieth-century culture, art, and photo history for her daring and innovative subject matter . . . her complex and multi-layered works address women's life narratives, twinship, dementia, miscarriage, parenting, and the stages and conditions of female subjectivity."
—Griselda Pollock, University of Leeds

"More than the gripping autobiography of a feminist, a mother, an artist, and a witness to the tumultuous events of the last half-century, and more than a record of Joanne Leonard's innovative and brilliant career as a photographer, Being in Pictures opens for us, in the words of Leonard's most famous work, 'windows of vulnerability.' This moving book, with its remarkably beautiful and disturbing photographs, draws us into the most intimate and revealing moments of the creative process."
—Marianne Hirsch, Columbia University

"Joanne Leonard's work and writing have the stamp of personal integrity that distinguishes her contribution to women's art and literature. She combines fragments of different images, most based on direct life experiences, to create new—often startling—meanings, and what always shines through is the honesty—the authenticity of voice, bringing Leonard to the forefront of artists—not just female artists—in this country."
—Anthony F. Janson, History of Art

Joanne Leonard is Diane M. Kirkpatrick and Griselda Pollock Distinguished University Professor of Art and Women's Studies at the University of Michigan. Her photographs and photo-collage works have been widely exhibited and also published in Gardner's Art through the Ages, Janson's History of Art, and the Time-Life Library of Photography.

Lucy R. Lippard is a writer and political activist who has authored twenty books. The most recent include On the Beaten Track: Tourism, Art, and Place and The Lure of the Local: Senses of Place in a Multicentered Society.

Praise / Awards

  • Co-Winner: 2009 University of Michigan Press Book Award

Look Inside

Countertop Sunset by Joanne Leonard
Countertop Sunset
Female Sleeping by Window by Joanne Leonard
Another Morning
Julia Vulhue & Sat by Joanne Leonard
Julia and Window of Vulnerability
Winged Ones by Joanne Leonard
Winged Ones

Copyright © 2007, University of Michigan. All rights reserved.

News, Reviews, Interviews

watch Leonard documentary

Watch: 10-minute Emmy award nominated film

listen to Leonard interview

Listen: Interview on American Public Media's The Story.

Read: Review Photography News

Read: Review NPR The Picture Show

Read: Q&A with Joanne Leonard (PDF)

View: Joanne Leonard and Helen Nestor Collections | Oakland Museum of California

Product Details

  • 11 x 11.
  • 264pp.
  • 212 photographs (color & BW).
Available for sale worldwide

  • Hardcover
  • 2007
  • Available
  • 978-0-472-11402-3

Add Hardcover of 'Being in Pictures' to Cart
  • $40.00 U.S.
  • $40.00 CAN

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Keywords

  • women photographers, photographic memoir, women's autobiography, women's collage, twins, feminist artist, motherhood, aging

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