Tracking Pop

Tracking Pop

In one form or another, the influence of popular music has permeated cultural activities and perception on a global scale. Interdisciplinary in nature, Tracking Pop is intended as a wide-ranging exploration of pop music and its cultural situation. In addition to providing resources for students and scholars working in the field of popular culture, the books in this series will appeal to general readers and music lovers, for whom pop has provided the soundtrack of their lives.

Series Editors

Lori Burns, Professor of Music, University of Ottawa, author of Disruptive Divas: Feminism, Identity and Popular Music, Routledge Press, 2002

John Covach, Professor of Music, University of Rochester, author of What's That Sound? An Introduction to Rock Music, W.W. Norton & Co, 2006

Albin Zak, Professor of Music, University at Albany, author of Making Records: The Poetics of Rock, University of California Press, 2001

Board Members
David Brackett, Professor of Music Research, McGill University, Interpreting Popular Music, University of California Press, 1996

Mark Butler, Assistant Professor of Music, University of Pennsylvania, Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music, Indiana University Press, 2006

John Dougan, Assistant Professor of Recording Industry, Middle Tennessee State University, The Who Sell Out, Continuum, 2006

Walt Everett, Professor of Music Theory, University of Michigan, The Beatles As Musicians: Revolver through the Anthology, Oxford University Press, 1999

Susan Fast, Professor of English and Cultural Studies, and Director of the Graduate Program in Gender Studies and Feminist Research at McMaster University, In the Houses of the Holy: Led Zeppelin and the Power of Rock Music, Oxford University Press, 2001

Ellie Hisama, Vice Chair and Professor of Music, Columbia University, Critical Minded: New Approaches to Hip Hop Studies, Institute for Studies in American Music, 2005

Nadine Hubbs, Associate Professor of Women's Studies & Music, University of Michigan, The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity, University of California Press, 2004

Travis Jackson, Associate Professor of Music, University of Chicago, Blowin' the Blues Away: Performance and Meaning on the New York Jazz Scene, University of California Press, 2012

Mark Katz, Associate Professor of Music, University of North Carolina at Chapel Hill, Capturing Sound: How Technology has Changed Music, University of California Press, 2004

Serge Lacasse, Professor of Music, Université Laval, Québec, Incestuous Pop: Intertextuality in Recorded Popular Music Nota Bene, forthcoming

Felicia Miyakawa, Assistant Professor of Musicology, Middle Tennessee State University, Five Percenter Rap: God Hop's Music, Message, and Black Muslim Mission, Indiana University Press, 2005

Alan Moore, Professor of Music Research, University of Surrey
Jethro Tull: Aqualung, Continuum, 2004

Jocelyn Neal, Associate Professor of Music, University of North Carolina at Chapel Hill, "The Reincarnation of Jimmie's Songs," Waiting for a Train: Jimmie Rodgers' America, Cleveland: Rock and Roll Hall of Fame, forthcoming

Tom Porcello, Associate Professor of Anthropology, Vassar College, Wired for Sound: Engineering and Technologies in Sonic Cultures, Paul D. Greene (Editor) & Thomas Porcello (Editor), Wesleyan University Press, 2004