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University of Michigan Press University of Michigan Press University of Michigan Press University of Michigan Press University of Michigan Press

Cover Image for Agitated States
6 x 9. 256 pgs. (2002)

Cloth
978-0-472-09811-8
$80.00S  Available
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Paper
978-0-472-06811-1
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Series
Theater: Theory/Text/Performance

Subjects
Cultural Studies / Literary Studies--Literary Criticism and Theory / Theater and Performance

Agitated States
Performance in the American Theater of Cruelty

Anthony Kubiak



American history as theater, and theater as the heart of American life


About the Book

From the earliest Puritan stagings of piety and rectitude, through the present-day epidemic of theatricalized school assassinations, the history of America has been characterized by a dual impulse: a quick tendency both to cast public event and character as high drama and to dismiss theater and theatricalization as un-American, even evil. In this groundbreaking work, Anthony Kubiak rethinks American history as that very theater, looking to theater and performance as the ethos and substance of American life, but an ethos and substance ironically repudiated at every turn by the very culture produced by it. Beginning with the writings of John Winthrop and others, gesturing across the Federalist and "romantic" stages of American cultural life, and into the contemporary period, including the six o'clock news, Kubiak sees in the dramatic scripts and plays of both theater and culture an America not usually grasped in the traditional or materialist approaches to history. Using the psychoanalytic work of Jacques Lacan, the cultural theory of Slavoj Zizek, and the performance theory of Herbert Blau, as well as the insights of many of the most important philosophical voices being heard today, Kubiak presents us with an unparalleled and unique reappraisal of dominant American identity, culture, and history.

Anthony Kubiak is Associate Professor of English at the University of South Florida. He is also the author of Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History.


 
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