The Aesthetics of Disturbance
Anti-Art in Avant-Garde Drama
David Graver
Explores interconnections among early 20th-century visual, literary, and performance art
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Contents
List of Illustrations ix
Acknowledgments xi
Chapter 1: Defining the Avant-Garde 1
Chapter 2: Negotiating the Aesthetic Material of Drama 43
Chapter 3: Kokoschka: Disturbing Spectacles 65
Chapter 4: Benn: Staging Impossibilities 93
Chapter 5: Roussel: Objectifying Invention 119
Chapter 6: Vitrac: Confronting Conventions 153
Chapter 7: Lewis: Performing Print 179
Chapter 8: Conclusion: Brecht, Artaud, and the Limits of the Artwork 209
Notes 223
Index 249