“Ralph Waldo Emerson defined transcendentalism as ‘a little beyond,’ and that’s the spirit I find animating Major Jackson’s marvelous prose meditations on poetry and music. I admire him as a poet of the high lyric, the lyrical self, and these pieces emerge from that central driving impulse. Informed by history, dragged down by racism, Jackson nonetheless views art as a majestic vehicle of transport, a way to enrich, deepen, and free us, to soar.”
—Edward Hirsch, author of The Heart of American Poetry

- Edward Hirsch

“Gathering essays, talks, and reviews, A Beat Beyond offers readers a window into the poetics of a (pun intended) Major figure in contemporary American poetry. These crisp, highly readable pieces articulate the aesthetics informing Jackson’s editorial practices and sketch the readings, musics, lived experiences, and resulting insights that comprise the ‘lyrical self’ of a Black poet with Philadelphia roots.”
—Evie Shockley, Zora Neale Hurston Professor of English, Rutgers University

- Evie Shockley

“Charles Baudelaire famously wrote ‘always be a poet, even in prose,’ and in his welcome new collection, A Beat Beyond, acclaimed poet Major Jackson explores subjects as expansive as Amiri Baraka, Elizabeth Bishop, vintage radios, and The Roots. Through expertly crafted and engaging essays, talks, reviews, and even liner notes, Jackson lyrically demonstrates his expansive intellect and how ‘poetry conveys the richness of living in the music of ourselves.’”  
—Mandana Chaffa, Editor-at-Large, Chicago Review of Books

- Mandana Chaffa

“Major Jackson’s A Beat Beyond constitutes an unrelenting deployment of his critical gaze; revealing with clarity and precision American poetry as a chaotic space brimming with glorious renewal, a praise song capacious and complex, inviting us to transgress the boundaries imposed by gatekeeping and groupthink.”
—Herman Beavers, University of Pennsylvania

- Herman Beavers

“It is such a rare pleasure to read these prose pieces by one of our essential poets. His mind is capacious, generous, gracious, incisive, serious, and quicksilver in its ability to connect ideas and write with great subtlety and clarity about the lyric, about ethics, about race, about faith. We also get liner notes and writing tips, thoughts on radios and his travels to Africa. Read the book yourself to see how true it is when he writes ‘My freedom is the freedom of the spider weaving its orbital web.’ That is the mind you will meet in these pages, along with many great poets (some praised, some taken to task). Mostly we get to spend time with Major, as he thinks things through earnestly, brilliantly, companionably, originally. This book is a treasure, and a classic.”
—Matthew Zapruder, author of Father’s Day and Why Poetry

- Matthew Zapruder

“What a gift, to have Major Jackson's essays and prose reflections in one illuminating volume: to see this subtle, commanding poet's mind at work, to follow the resonances of his inquiries into his lyric self and poetics, music, Black life, mentors, elders, and contemporaries. A Beat Beyond gives us the poet in full—as estimable poetic maker sharing his unfolding poetics, but also as editor, anthologist, essayist, and cultural critic.”
—Maureen N. McLane, New York University, author of My Poets 

- Maureen N. McLane

“Major Jackson is an eloquent poet of the natural world and a keen observer of the social world. In these essays he brings the hallmarks of his poetic voice to bear on a wide swath of twentieth-century American poetry. On topics ranging from racial appropriation to diction, from love to music to police violence, Jackson is an incisive and generous critic, gifting us an expansive account of his reading, along with the wisdom and the musical ear with which to read it.”
—Sonya Posmentier, New York University

- Sonya Posmentier

“Major Jackson writes it like we need to hear it. You’ll get a sense of what that means right from the start, and it will only come clearer the more you read. Whether he’s unearthing the politics behind Gwendolyn Brooks’s Pulitzer Prize or examining the 'hallucinatory speed of thought' in the poetry of Mei-Mei Berssenbrugge, Terrance Hayes, or Brenda Hillman, Jackson writes with astonishing clarity and compassion, reminding us that the poem, however it’s been constituted, however boldly or obliquely it speaks to us, remains an ‘unparalleled source of linguistic pleasure.’”

—Derek Pollard, Series Editor of Poets on Poetry

- Derek Pollard

"The acclaimed poet explores the intellectual and spiritual elements of poetry and the social function of art through essays, interviews and notes."
—The New York Times

- The New York Times

"A Beat Beyond is a collection for the weary writer, for poets who feel themselves becoming invisible, and for any person who desires a liberation of language and lyric. With prose that transcends the bounds of mere musicality, Major Jackson invites us to investigate just how poetry ‘puts in an appearance.’ From the academy, to conversations in the grocery store, to churches, to hip-hop music, poetry is a sound guide that can lead us to the center of language."
—Kashif Andrew Graham, Chapter 16

- Kashif Andrew Graham

"For teachers, it’s a unit-worthy syllabus of poets whose work intersects and mutually inspires throughout the last century, with discussion questions to boot. For scholars, it’s thoughtful research on poets like Countee Cullen and Lucille Clifton, a sharp-eyed breakdown of the 1950 Pulitzer Prize for Poetry award letter that made Gwendolyn Brooks the first Black woman recipient, and a short, persuasive thesis on the historical poem as a defining national genre. . . For critics, of course, it’s a giddy chance to catch a younger Jackson at our own task, writing low-key ekphrastics as he turns his metronome ear and poet’s tongue on someone else’s art."
—World Literature Today
 

- GK Schatzman