A Novel by Yokomitsu Riichi
Translated with a Postscript by Dennis Washburn
A brilliant evocation of Shanghai as an exotic city in turmoil, a place where dreams of sexual and economic domination are nurtured.
Published serially between 1928 and 1931, Shanghai tells the story of a group of Japanese expatriates living in the International Settlement at the time of the May 30th Incident of 1925. The personal lives and desires of the main characters play out against a historical backdrop of labor unrest, factional intrigue, colonialist ambitions, and racial politics.
The author, Yokomitsu Riichi (1898-1947), was an essayist, writer, and critical theorist who became one of the most powerful and influential literary figures in Japan during the 1920s and 1930s. He looked to contemporary avant-garde movements in Europe--Dadaism, futurism, surrealism, expressionism--for inspiration in his effort to explode the conventions of literary language and to break free of what he saw as the prisonhouse of modern culture.
Yokomitsu incorporated striking visuality into a realistic mode that presents a disturbing picture of a city in turmoil. The result is a brilliant evocation of Shanghai as a gritty ideological battleground and as an exotic landscape where dreams of sexual and economic domination are nurtured.
Praise / Awards
"In his heyday, in the 1920s and 1930s, Riichi Yokomitsu was referred to as bungaku no kamisama (a god of literature). . . . [I]t is his political agenda that is particularly interesting to today's readers. . . . Yokomitsu put his art in the service of Japanese militarism. He was a Pan-Asianist who believed that 'only Japanese militarism possesses enough power to rescue the subjugated East. Thus, Shanghai with its foreign concessions became his symbol of Western imperialism subjugating Asia. . .. [T]he novel's sweeping depiction of a city that no longer exists as it did in the 1920s is a masterful and and compelling recreation of the past."
--Andrea Kempf, Johnson County Community College, Overland Park KS, Persimmon, Summer 2001
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