Shanghai

A Novel by Yokomitsu Riichi
Volume 33
Yokomitsu Riichi; Translated with a Postscript by Dennis Washburn
Translated with a Postscript by Dennis Washburn
A brilliant evocation of Shanghai as a city in turmoil by one of Japan’s most influential avant-garde writers of the 1920s and ’30s

Description

Published serially between 1928 and 1931, Shanghai tells the story of a group of Japanese expatriates living in the International Settlement at the time of the May 30th Incident of 1925. The personal lives and desires of the main characters play out against a historical backdrop of labor unrest, factional intrigue, colonialist ambitions, and racial politics.
The author, Yokomitsu Riichi (1898–1947), was an essayist, writer, and critical theorist who became one of the most powerful and influential literary figures in Japan during the 1920s and 1930s. In 1924 Yokomitsu joined with Kataoka Teppei and Kawabata Yasunari to found the Shinkankaku-ha (New Sensation School), artists who looked to contemporary avant-garde movements in Europe—Dadaism, futurism, surrealism, expressionism—for inspiration in their effort to explode the conventions of literary language and to break free of what they saw as the prisonhouse of modern culture. A key feature of the school’s experiments was the use of jarring imagery that originated in the visual effects of cinema.
Yokomitsu incorporated the striking visuality of his early experimental style into a realistic mode that presents a disturbing picture of a city in turmoil. The result is a brilliant evocation of Shanghai as a gritty ideological battleground where dreams of sexual and economic domination are nurtured.
Dennis Washburn teaches Japanese and Comparative Literature at Dartmouth College. He is the translator of Ooka Shohei’s The Shade of Blossoms (1998) and the author of The Dilemma of the Modern in Japanese Fiction (1995).

Praise / Awards

  • "In his heyday, in the 1920s and 1930s, Riichi Yokomitsu was referred to as bungaku no kamisama (a god of literature). . . . [I]t is his political agenda that is particularly interesting to today's readers. . . . Yokomitsu put his art in the service of Japanese militarism. He was a Pan-Asianist who believed that 'only Japanese militarism possesses enough power to rescue the subjugated East. Thus, Shanghai with its foreign concessions became his symbol of Western imperialism subjugating Asia. . .. [T]he novel's sweeping depiction of a city that no longer exists as it did in the 1920s is a masterful and and compelling recreation of the past."
    --Andrea Kempf, Johnson County Community College, Overland Park KS, Persimmon, Summer 2001

Product Details

  • 6 x 9.
  • 248pp.
Available for sale worldwide

  • Paper
  • 2001
  • Available
  • 978-1-929280-01-8

Add to Cart
  • $22.00 U.S.

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