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Passionate Amateurs

Theatre, Communism, and Love
Nicholas Ridout

A rich, historically grounded exploration of why theater and performance matter in the modern world


Description

Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the twentieth and twenty-first centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent years by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism. Passionate Amateurs argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin’s “Program for a Proletarian Children’s Theatre,” the first major consideration of Godard’s La chinoise as a “theatrical” work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene.

Passionate Amateurs contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world.

“Reading a suggestively diverse set of modern performances, and setting those performances within a clear and well-defined theoretical/critical project, Ridout attempts to use the ‘passionate amateur’—at once the spectator, the scholar, and to some extent the characters in the plays—as a critical category disrupting the otherwise fully commodified communication of leisure products . . . Passionate Amateurs is wholly original, intellectually and critically stimulating, and certain to develop not only discussion but also to lead to a series of important questions in contemporary theatre and performance studies scholarship.”
—W. B. Worthen, Alice Brady Pels Professor in the Arts, Barnard College, Columbia University

Photo: From “La chinoise,” a film by Jean-Luc Godard. © 1967 Gaumont / Cine Mag Bodard / Roissy Films / M. Nicolas Lebovici. Musée Gaumont Collection

Nicholas Ridout is Reader in Theatre and Performance Studies, Department of Drama, Queen Mary, University of London.

Praise / Awards

  • "[Ridout] deftly moves among several wide and disparate examples of contemporary theater practice in his quest to locate this being he identifies as the 'passionate amateur.' ... This is a stimulating and useful book."
    Choice
  • "Passionate Amateurs is a quietly but defiantly political work which looks towards a better future, which asks more of theatre than we generally experience in contemporary culture."
    A Younger Theatre
  • "This book is important, cogently argued, and thought provoking...It will reward you with fresh insights into many significant concerns in contemporary theatre and performance studies scholarship."
    --Nadine Holdsworth, Contemporary Theatre Review

  • "An ambitious contribution to the scholarship on labor and performance, as well as to the wider scholarship on the political potential of theater."
    --Brecht Yearbook

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News, Reviews, Interviews

 Nicholas Ridout discusses Passionate Amateurs at QMUL School of English and Drama

Product Details

  • 6 x 9.
  • 216pp.
Available for sale worldwide

  • Hardcover
  • 2013
  • Available
  • 978-0-472-11907-3

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  • $60.00 U.S.

  • Paper
  • 2015
  • Available
  • 978-0-472-03633-2

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  • $33.95 U.S.

  • Open Access
  • 2013
  • Available
  • 978-0-472-90000-8

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Keywords

  • Performance, Work, Modernity, Spectatorship, Theatre, Marxism, Education, Capitalism, Romanticism, Chekhov

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