The Place of the Stage
License, Play, and Power in Renaissance England
Probes English society in the age of Shakespeare
In this richly textured multidisciplinary work, Steven Mullaney examines the cultural situation of popular drama in Elizabethan and Jacobean England. Relying upon a dynamic model of cultural production, Mullaney defines an original and historically grounded perspective on the emergence of popular theater and illustrates the critical, revisionary role it played in the symbolic economy of Renaissance England.
Combining literary, historical, and broadly conceived cultural analysis, he investigates, among other topics, the period's exhaustive "rehearsal" of other cultures and its discomfiting apprehensions of the self; the politics of vanished forums for ideological production such as the wonder-cabinet and the leprosarium; the cultural poetics of royal entries; and the incontinent, uncanny language of treason. As Mullaney demonstrates, Shakespearean drama relied upon and embodied the marginal license of the popular stage and, as a result, provides us with powerful readings of the shifting bases of power, license, and theatricality in Elizabethan and Jacobean England.
Praise / Awards
". . . Mullaney's argument is rich and provocative, and his application to a study of the Elizabethan stage of notions of the city and its geography suggests that there is still much to learn about the stage and its ideological relationship to the city and to its culture."
"[An] important and valuable cultural history of the Elizabethan stage. . . . [It] has had such a tremendous impact on the way we think about the theater in early modern England. While many studies have speculated about the origins of Elizabethan drama, Mullaney's book was perhaps the first to redirect our attention from traditional source materials tot he physical and cultural location of the theater itself. In doing so, Mullaney opened up vast new areas for research."
—Douglas Brooks, Sixteenth Century Journal
". . . something of a dramatic feat in cultural studies: literary critic Mullaney calls in a cast ranging from Clifford Geertz and Pierre Bourdieu to Raymond Williams, Mary Douglas, and Michel Foucault."
"A major study, not merely of selected Shakespearean plays but of the very conditions of the possibility of Renaissance drama."
—Louis Montrose, University of California, San Diego
"Mullaney's rich and engaged reading of the place of Shakespeare's stage represents the texture of early modern life and its cultural productions in the vivid tradition of annales history and brilliantly exemplifies his theoretical call for a poetics of culture."
"Mullaney marshals an impressive range of cultural representations which, taken together, will undoubtedly force a reconsideration of the semiotics of the Elizabethan stage."
—Times Higher Education Supplement
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