In the second half of the Weimar period (1918–33), photographers produced books consisting almost entirely of sequenced images. The subjects ranged widely: from plants and nature to the modern metropolis, from exotic cultures to the German Volk, from anonymous workers to historical figures. While many of the books were created by key practitioners and theorists of modern photography, scholars have rarely addressed the significance of the book format to modern conceptions of photographic meaning. The term “photo-essay” implies that these photographic books were equivalent to literary endeavors, created by replacing text with images, but such assumptions fail to explore the motivations of the books’ makers.
Stop Reading! Look! argues that Weimar photographic books stood at the center of debates about photography’s ability to provide uniquely visual forms of perception and cognition that exceed the capacity of the textual realm. Each chapter provides a sustained analysis of a photographic book, while also bringing the cultural, social, and political context of the Weimar Republic to bear on its relevance and meaning.
“Elegantly structured and argued, this book offers exciting insights into how the Weimar-era photo book provided an important site for working through some of the most pressing questions of the age—concerning the future of the written word, the fate of value in an age of rampant inflation, and the place of the individual human subject in a moment that sought increasingly to classify and categorize people according to type.”
— Jennifer M. Kapczynski, Washington University
