Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance

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1. Cover image for 'When Romeo Was a Woman'
Charlotte Cushman and Her Circle of Female Spectators
Lisa Merrill
Examines the life of the androgynous nineteenth-century American actress and her work on the Anglo-American stage
Format Publication year Price Status Purchasing option
Paper 2000 $36.95 Available Add Paper for "When Romeo Was a Woman" to Cart
Currently limited to: subject biography Biography x


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Triangulations: Lesbian/Gay/Queer Theater/Drama/ Performance



Jill Dolan, Princeton University

David Román, University of Southern California

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Series Editors

Jill Dolan, Princeton University

David Román, University of Southern California


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Ramón Rivera-Servera, Northwestern University

Sara Warner, Cornell University

Associate Editors

Ramón Rivera-Servera, Northwestern University

Sara Warner, Cornell University

Triangulations focuses on theater, drama, and performance in all its interdisciplinary and historical variety, and in all its professional and community manifestations. We define the term "performance" generously, ranging from dramatic literature staged in theater buildings to everyday rituals that constitute performance (such as commitment ceremonies or memorial services) to the performative dimensions of sex, sexuality, gender, race, and other identity categories. At the same time, we remain committed to scholarship about work that is specifically theatrical in reception and intent, from work at various lesbian and gay theaters and performance spaces, to activist groups around the country, who use theatrical spectacle to political effect.

We seek book projects that will address both critics and practitioners, and help to create important conversations around the performance work and critical ideas that they produce. Triangulations encourages projects that demonstrate the creative and intellectual collaborations possible among gay/lesbian/queer critics, activists, playwrights, performers, and theorists. It also encourages cross-gender, cross-race, cross-ethnicity, inter-identity conversations. Our intent is to be inclusive across disciplines, across practices, and across communities, as well as reaching out within other aspects of the theater studies discipline.

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Triangulations focuses on theater, drama, and performance in all its interdisciplinary and historical variety, and in all its professional and community manifestations. We define the term "performance" generously, ranging from dramatic literature staged in theater buildings to everyday rituals that constitute performance (such as commitment ceremonies or memorial services) to the performative dimensions of sex, sexuality, gender, race, and other identity categories. At the same time, we remain committed to scholarship about work that is specifically theatrical in reception and intent, from work at various lesbian and gay theaters and performance spaces, to activist groups around the country, who use theatrical spectacle to political effect.

We seek book projects that will address both critics and practitioners, and help to create important conversations around the performance work and critical ideas that they produce. Triangulations encourages projects that demonstrate the creative and intellectual collaborations possible among gay/lesbian/queer critics, activists, playwrights, performers, and theorists. It also encourages cross-gender, cross-race, cross-ethnicity, inter-identity conversations. Our intent is to be inclusive across disciplines, across practices, and across communities, as well as reaching out within other aspects of the theater studies discipline.


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