John Covach, Professor of Music,
University of Rochester, author of What's That Sound? An Introduction
to Rock Music (W.W. Norton & Co, 2006)
Robert Fink, Professor of
Musicology, Chair of the Music Industry Programs, University of California, Los
Angeles, co-editor of The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford, 2018)
Loren Kajikawa, Program Chair and Associate Professor of Music, The George Washington University, author of Sounding Race in Rap Songs (University
of California, 2015)
Jocelyn Neal, Professor of Music, University of North Carolina, Chapel Hill, author of Country Music: A Cultural and Stylistic History (Oxford, 2012)
Board Members
David Brackett, Professor of
Music Research, McGill University, author of The Pop, Rock, and Soul
Reader: Histories and Documents
Mark Butler, Professor of Music
Theory, Northwestern University, author of Playing with Something That
Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance
John Dougan, Professor of
Recording Industry, Middle Tennessee State University, author of The
Who Sell Out
Walt Everett, Professor of Music
Theory, University of Michigan, author of The Beatles As Musicians:
Revolver through the Anthology
Susan Fast, Professor of English
and Cultural Studies, McMaster University, author of In the Houses of
the Holy: Led Zeppelin and the Power of Rock Music
Ellie Hisama, Professor of Music,
Columbia University, author of Critical Minded: New Approaches to Hip
Hop Studies
Nadine Hubbs, Associate Professor
of Women's Studies & Music, University of Michigan, author of The
Queer Composition of America's Sound: Gay Modernists, American Music, and
National Identity
Travis Jackson, Associate
Professor of Music, University of Chicago, author of Blowin' the Blues Away:
Performance and Meaning on the New York Jazz Scene
Serge Lacasse, Professor of
Music, Université Laval, Québec, author or Groove: Enquête sur les
phénomènes musicaux contemporains
Alan Moore, Professor Emeritus,
University of Surrey, author of Song Means: Analysing and Interpreting
Recorded Song
Tom Porcello, Professor of
Anthropology, Vassar College, co-editor of Wired for Sound: Engineering and
Technologies in Sonic Cultures
Albin Zak, Professor of Music, University at Albany,
author of I Don’t Sound Like Nobody:
Remaking Music in 1950s America (University of Michigan 2010)
Series Editorsstatic Series Editors
John Covach, Professor of Music,
University of Rochester, author of What's That Sound? An Introduction
to Rock Music (W.W. Norton & Co, 2006)
Robert Fink, Professor of
Musicology, Chair of the Music Industry Programs, University of California, Los
Angeles, co-editor of The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford, 2018)
Loren Kajikawa, Program Chair and Associate Professor of Music, The George Washington University, author of Sounding Race in Rap Songs (University
of California, 2015)
Jocelyn Neal, Professor of Music, University of North Carolina, Chapel Hill, author of Country Music: A Cultural and Stylistic History (Oxford, 2012)
Board Members
David Brackett, Professor of
Music Research, McGill University, author of The Pop, Rock, and Soul
Reader: Histories and Documents
Mark Butler, Professor of Music
Theory, Northwestern University, author of Playing with Something That
Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance
John Dougan, Professor of
Recording Industry, Middle Tennessee State University, author of The
Who Sell Out
Walt Everett, Professor of Music
Theory, University of Michigan, author of The Beatles As Musicians:
Revolver through the Anthology
Susan Fast, Professor of English
and Cultural Studies, McMaster University, author of In the Houses of
the Holy: Led Zeppelin and the Power of Rock Music
Ellie Hisama, Professor of Music,
Columbia University, author of Critical Minded: New Approaches to Hip
Hop Studies
Nadine Hubbs, Associate Professor
of Women's Studies & Music, University of Michigan, author of The
Queer Composition of America's Sound: Gay Modernists, American Music, and
National Identity
Travis Jackson, Associate
Professor of Music, University of Chicago, author of Blowin' the Blues Away:
Performance and Meaning on the New York Jazz Scene
Serge Lacasse, Professor of
Music, Université Laval, Québec, author or Groove: Enquête sur les
phénomènes musicaux contemporains
Alan Moore, Professor Emeritus,
University of Surrey, author of Song Means: Analysing and Interpreting
Recorded Song
Tom Porcello, Professor of
Anthropology, Vassar College, co-editor of Wired for Sound: Engineering and
Technologies in Sonic Cultures
Albin Zak, Professor of Music, University at Albany,
author of I Don’t Sound Like Nobody:
Remaking Music in 1950s America (University of Michigan 2010)
